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辽宁省博物馆历来以中国书画为主要收藏门类,而其中的篆刻作品亦多有佳作,只是此前未及深入探讨。本文通过介绍和梳理辽博藏当代岭南篆刻家莫铁先生和秦咢生先生的17方篆刻作品,谈及20世纪50年代和60年代初期中国艺术创作的时代特点和背景,目的是为今后的研究做一些资料性的工作。据广州市文史研究馆编辑出版的《莫铁篆刻》~1序言中介绍:“莫铁(1899-1977),广东新会人。十五岁在广州文德路福文斋当学徒,四年满师,在广州永汉路西横街口开
Liaoning Provincial Museum has always been to Chinese painting and calligraphy as the main collection categories, of which there are many masterpieces of seal cutting works, but not discussed in depth before. This paper introduces and combs the 17 square carving works of Liao and Hsiung-tomb contemporary Lingnan seal makers Mr. Mo Tie and Mr. Qin Tansheng, talks about the characteristics and background of the era of Chinese art creation in the 1950s and early 1960s, and aims to do the research for the future Some informative work. According to the Guangzhou Museum of History and Cultural Studies edited and published ”Mo Iron Seal“ ~ 1 preface describes: ”Mo iron (1899-1977), Guangdong Xinhui people. Fifteen years old in Guangzhou Wende Road Fu Wen Zhai Apprentice, four At the end of division, Yongheng Road in Guangzhou West Side Street open