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20世纪中国美术是生机勃勃和多样化的。带有极强的社会性,几代艺术家热情洋溢、上下求索,投身于血火丹青的时代大潮,在中西、新旧、体用、线面、抽象、具象、民间、学院等等错乱时空和概念中,在美术的一切领域,左右沉浮,进行了广泛的、或认真或投机的探试和追求,怀疑、批判、迷恋、嘲讽、拼凑、调和、追忆、反省、实验、创新,创造了中国美术史上前所未有的斑斓五色。无论好恶,这些作品构成了20世纪中国美术生机勃勃的成就,其时代脉搏是火热的,其社会关怀是深切的,其表现形态是多样纷呈的。在中国美术史上,这是非常突出的时代特征。20世纪中国美术的历史地位,以此为基础。
20th century Chinese art is vibrant and diverse. With a strong social background, generations of artists are enthusiastic and enthusiastic about their work. They devote themselves to the tide of bloody times and the confusing space-time and concepts of Chinese and Western cultures, old and new, physical use, line art, abstraction, Chinese art has been created in all fields of fine arts, with ups and downs in the art field, extensively or earnestly or speculatively probing and pursuing, doubting, criticizing, enamored, ridiculing, piecing together, reconciling, recalling, introspection, experimenting and innovating The history of the gorgeous colored. Either good and evil, these works constitute a thriving achievement of Chinese art in the 20th century. Its pulse of the times is fiery, its social care is profound, and its forms of expression are varied and varied. In Chinese art history, this is a very prominent feature of the times. The historical status of Chinese art in the 20th century is based on this.