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表演艺术中人物想象的创造是在剧作家基础上的二度创作,演员一方面要通过全力的演出去体验剧作的内容,全力开掘与体现剧作的内容和深刻底蕴;另一方面就要进行独特的,富有魅力的二度创作。正如俄国评论家别林斯基指出的:“他的表演是创造性的,天才的。他不是作者的助手,而是再创造角色中与作者相称的合作者。”在演出艺术中正是演员把艺术形象从剧本搬上舞台,将文字的描写变成活生生的直观形象。在这个转化过程中,演员不仅要在现,而且要补充剧作形象。不仅是扮演了角色,而且是创作了形象。而这个二度创作的首要关键就是内心活动的建立,演员只有在自己心里有独特的理解感受,和特有的情感与体验,建立内心活动之后才能创造出饱满的人物角色。
The creation of figure imagination in the performing arts is the second creation based on the dramatist. On the one hand, the performers must experience the contents of the play through full performance, and excavate and reveal the content and profound meaning of the play. On the other hand, A unique, charismatic second creation. As Belinsky, a Russian critic, points out: “His performance is creative and talented, he is not an aide to the author, but a collaborator in the character whose work is commensurate with the author.” "It’s an actor The artistic image from the script onto the stage, the description of the text into a vivid and intuitive image. In this transformation process, the actor not only in the present, but also to supplement the dramatic image. Not only played the role, but also created the image. The key to this second creation is the establishment of inner activities. Only when actors have their own unique understanding and unique feelings and experiences, can they create full-fledged characters.