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平面图像的挪用观念始于波普艺术,南溪之不同,在于观念性和绘画性兼顾,他始终不放弃对笔墨气韵的深度迷恋。这似乎是挪用观念的后移,但在这里,后移即创造。波普艺术的创造性就在杜尚挪用观念向画面的后移之中。对笔墨气韵的深度迷恋使南溪与一切波普艺术拉开了距离。
The concept of misappropriation of plane images began with pop art and Nanxi. It consisted of concept and painting, and he never gave up the depth of obsession with ink and rhyme. This seems to be a shift in the concept of appropriation, but here it is created. Pop Art creative in Duchamp misappropriation of ideas to the picture backward. The deep infatuation with ink and rhyme has left Nanxi with all pop arts.