本文以世界、作品、作者及欣赏者四者为坐标,来阐述解构主义思想下这四者之间的关系。作品与世界之间不是传统的反映与被反映,作者对于作品言说的权威性受到质疑,接受美学与新批评的读者观也受到挑战,进而文学性这个概念也必须重新界定。 This article uses the four worlds, works, authors and admirers as coordinates to illustrate the relationship between the four under deconstructionism. The work is not reflected and reflected in the traditional world. The writer’s authoritativeness of the work is questioned. The reader’s view of aesthetics and new criticism is also challenged, and the concept of literary nature must also be redefined.