音乐分析在民族音乐学内的特殊意义是“音乐书写”问题在学科领域内一直被不断探讨的原因之一。从音乐本体风格的描述到音乐文化意义的阐述,“音乐书写”在个案研究和跨文化比较研究中都是一项重要的基础工作。早期,当受西方主流音乐文化影响的学者在对非西方音乐进行一手资料搜集,尤其是进入无文字社区面对诸多从未被任何符号书写过的口传音乐时,原有的认知符号系统显然无法胜任在声音时间组合和运动走向复杂多样的非西方音乐的描写与分 The special significance of music analysis in ethnomusicology is one of the reasons why the issue of “music writing” has been constantly explored in the academic field. From the description of musical noumenon style to the explanation of musical cultural significance, “musical writing” is an important basic work in case studies and cross-cultural comparative studies. In the early days, when scholars who were influenced by the mainstream Western music culture collected first-hand information about non-Western music, especially when they entered the free-text community and faced many oral music that had never been written by any other symbol, the original cognitive symbology obviously Unable to describe and score non-Western music in a time-bound mix of sounds and movements