论文部分内容阅读
《恐怖内阁》也许是好莱坞时期的弗里茨·朗作品中表现主义色彩最浓重的一部,以后世诸葛的角度来看,本片希区柯克式的剧情与弗里茨·朗标志性的偏执妄想影像之间产生了奇妙的化学反应。二战时期的弗里茨·朗,在美国名声并不算太好。他在默片时期的多部杰作,在当时的美国并不被人熟知,但他又像大部分德奥导演一样有着片场暴君的臭名,但这些都不是导致他名声受损的主要原因。在1934年,他离开了纳粹治下的德国,他对此事件的官方说法是自己在戈培尔邀请他执掌德国电影业的当晚立即跑了路,但在他死后,诸多史料证明他离开德国至少花了半年时间,中间发生的种种事情,我们不得而知。如今,他的研究者大多认为他对于戈培尔的提议是有些动心的,而当时处于战时的美国人,也自然会对这
The “Horror Cabinet” is perhaps the most expressive part of the Fritz Lang works of Hollywood. From the perspective of later generations, the Hitchcock plot and the iconic Fritz Lang Paranoid delusion images produced a fantastic chemical reaction. Fritz Lang of World War II, reputation in the United States is not too good. His many masterpieces in the silent stage were not well known in the United States at that time, but he was notoriously the same as most directors of the German film industry, but these were not the main reasons that led to his reputation being damaged. In 1934 he left Germany under Nazi rule. His official remark on the incident was that he immediately ran the night when Goebbels invited him to take charge of the German film industry, but after his death many historical documents showed him leaving It took at least half a year for Germany. We can not know all the things that happened in the middle. Nowadays, most of his researchers think he is somewhat tempted by Goebbels’s proposal, and of course wars Americans at the time