本文从北番画作创作缘起加以分析,探讨番族画风的艺术流变与历史文化特征。所谓“北方草原画派”目前缺乏系统的理论探讨,鲜少有学者明确提出该画派的具体标准条件,笔者就此讨论相关画家及其美术作品。以《宣和画谱》番族门作品及其描述对象为研究基础,循其名实,主张采用“番族画风”定义辽金元时期新生的绘画风格及艺术作品的创作特征。 This paper analyzes the origins of Bei Fan paintings and discusses the artistic changes and historical and cultural features of the Fan Clan paintings. The so-called “Northern Prairie School ” is currently lack of systematic theoretical discussion, few scholars have clearly put forward the specific standard conditions of the school of painting, the author discusses the relevant artists and their works of art. Based on the works of Fan Xuan Men and his descriptive objects in Xuan He Pu Hua Pu, according to his real name, the author advocates the painting style of the freshmen in Liao, Jin and Yuan Dynasties as well as the creative features of works of art.