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2000年,北京舞台上演出的剧目不少,但是,具有一定思想力度的作品却不多。而中央实验话剧院在北京人艺小剧场演出的话剧《纪念碑》(加拿大考琳·魏格纳编剧,吴朱红翻译,查明哲导演)一经在舞台上出现,便在观众中产生了轰动,令人感到格外惊喜。这是一个值得深思的现象。一《纪念碑》的故事并不复杂,主要讲述战争与人的关系。剧中只有两个人物——斯特科和梅加,全部情节就是通过他们的叙述,一步一步地展示战争的残酷以及战争对
In 2000, there were many repertoire performances on the stage in Beijing, but there were not many works with a certain degree of thinking. The drama “Memorial” (written by Pauline Wegner of Canada, translator Wu Wuhong, director Zhiming Chieh) of the drama of the Central Laboratory for Experimental Theater at the Beijing Renaissance Theater appeared on the stage and caused a sensation among the audience. It is particularly surprising. This is a phenomenon worth pondering. A “monument” story is not complicated, mainly about the relationship between war and people. There are only two characters in the play - Stko and Mega, all through their narrative, showing step by step the cruelty of the war and the war