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本文通过对张建民典型性编导作品和显现于课堂教学的技法研究,逐层剖析其风格特色上的“悲情节”及其如何运用相应的技法体系将这种情节表现出来,由点而面地阐述其情感色彩上的悲特征及技法语汇上的“动静观”,从而得出张建民舞蹈作品在中国舞编创体系中独树一帜,高雅悲怆的原因。希对今后系统研究中国当代古典舞特征提供零星真知灼见。
Through the study of typical works of Zhang Jianmin and the technique research that appeared in the classroom teaching, this article analyzes the “sadistic festival” of its style and characteristics and the method of how to use the corresponding technique to analyze the plot from the point to the point The sad characteristic of emotion and the “static and dynamic view” on the technique vocabulary show that Zhang Jianmin’s dance works are unique and elegant in Chinese dance editing system. He hoped to provide sporadic insights into the systematic study of the characteristics of contemporary Chinese classical dance.