意象源于作家对物象的直接感知,物象叠映着作家的情感、经验、意识、无意识等构成的心灵幻象,这种意与象浑情与物共并不是简单的机械的对应关系,作为耐人寻味的意象的建构时常表现出能动的结构关系,苏轼诗云:“横看成岭侧成峰,高低远近各不同。”文学意象的营构亦如此,面对具体物象,作者的视野不断转换和调整,作者的情思、感悟和启迪不断衍生,这样的意象才能折射出玄妙莫测氤氲 The image comes from the writer’s direct perception of the object, the image of the object overlapping with the psychic illusion of the writer’s emotion, experience, consciousness and unconsciousness. This kind of feeling and the object is not simply mechanical correspondence, The construction of the image often shows an active structural relationship, Su Shi poem: “horizontal as the ridge into a peak, the level of different.” The construction of literary images so, in the face of specific objects, the author’s field of vision is constantly changing and Adjustment, the author’s feelings, insights and inspiration derived, this image can reflect the mysterious unpredictable 氤 氲