本文以明代文学中的六经论为切入点,分析六经论历史演变过程中所包孕的意义。明初,六经论具有因心以求经的特点,追求人心与天地的内在平衡。台阁文学时期,力图统合理学思想与官方意识形态,更强调六经的政教性质。前七子以对史传文学的强调指斥六经诸儒之言,后七子用理事论否定六经在文学中的作用,共同将六经悬置起来。王阳明创为心学,直接导致“糟粕六经”风尚的出现,本色论成为明代六经论的新论述。文法论则用文学的方式解经习经。 This article takes the theory of the Six Classics in the Ming Dynasty literature as the starting point and analyzes the significance of the inclusion of the Six Classics in the historical evolution. At the beginning of the Ming Dynasty, the theory of the Six Sutra had the intrinsic balance of people’s heart and heaven and earth due to its characteristic of seeking truth from facts. In the period of Taicang literature, trying hard to integrate Neo-Confucianism with official ideology, more emphasis was placed on the political and religious nature of the Six Canon. The former seven scholar emphasized the words of the Confucianism through Confucianism by emphasizing the historical literature, while the latter seven negated the role of the Six Classics in the literature and suspended the Six Categories together. Wang Yangming as a psychology, a direct result of “dross six ” the appearance of the fashion, the theory of character became a new exposition of the Six Classics of the Ming Dynasty. Grammatical theory solves the study by way of literature.