外国专家到中国演出和讲学时 ,经常提到让中国的年轻乐手多参加一些室内乐的重奏实践 ,这样对作品的理解和处理会更加深刻和具有说服力 ,而不会过于夸张和个性化以至于步入了一种钻牛角尖式的演奏误区。我很赞同这一见解。本人从事大提琴的演奏已有多年 ,象外国作品莫扎特《G大 When foreign experts perform and give lectures in China, it is often mentioned that more young Chinese musicians participate in the practice of chamber music, so that their understanding and handling of the work will be more profound and persuasive than exaggeration and personalization So much so that they have entered into a drilling corner of the world misunderstanding. I very much agree with this view. I have been playing the cello for many years, like a foreign work Mozart "G big