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本文通过对河州白塔寺川传统建筑营造技艺中椽花挂椽做法和源流的探讨,一方面,发掘了民间营造技艺的丰富性,对中国传统建筑营造技艺的研究进行补充;另一方面,为明初甘青地区江南移民的历史提供了建筑学的佐证。
On the one hand, it explores the richness of folk art creation and complements the research of Chinese traditional building art creation; on the other hand, It provides evidence of architecture for the history of immigrants in Jiangnan in the early Ming Dynasty.