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研究板胡的流变及其发展,我以为应从它的历史、使用、影响和在乐队的地位等方面来研究,从而来考察它的功能、价值及其变化。 相传在明嘉靖隆庆年间(1522～1572年),流行于江苏的昆山腔的乐队中就用了一种类似板胡(板面、椰壳)的乐器——提琴,它还用于明清时代的昆曲清唱伴奏和丝竹乐的合奏。从《金瓶梅词话》(刊于明万历年间)的“演戏图”乐人演奏提琴的图来看,可对当时提琴的使用情况有个大概的了解。板胡从长期在民间流传的自生状态,到人们有意识、有选择地使用并得到流传和发展,是和明末清初戏曲梆子腔的兴起有关。
To study Panhuo’s evolution and its development, I think it should be its history, use, influence and the status of the band studied in order to examine its function, value and its changes. According to legend, during the Ming Jiajing Longqing years (1522 ~ 1572), popular in Kunshan, Jiangsu Province, the band used a similar plate Hu (plate, coconut shell) instrument - the violin, it is also used in the Ming and Qing Dynasties Kunqu opera accompaniment and music and bamboo ensemble. From the figure of the “opera figure” musician in the Jin Ping Mei Ci (published in the Ming Wanli period), there is a general idea of the use of the violin at that time. Banhu has long been in the folk self-interest spread to the people, consciously and selectively use and get spread and development, and the late Ming and early Qing opera playboy cavity rise.