两年前,李洪智兄给我寄来了他的两本《墨痕》系列作品集。当时,我就被其矫健的行笔和淋漓的墨气所吸引,便想到要写点文字向洪智兄讨教。但由于我的慵懒和懈怠,一直拖到现在都没有落笔。最近,在网上看到“墨痕·大师引——李洪智书法展”在京开幕,使我又有机会欣赏到洪智兄的近作,深受教益和启发。洪智兄的书法,以行、草行于世,兼及楷、隶。其行笔之大胆爽快,一如其心性和为人。以我对他的了解,他是由一个俗人成长为学者,而不是由一名“学者”堕退为俗人,所以,他的字中始终流荡着一种文气、清气,读来令人可喜。 Two years ago, Li Hongzhi brother sent me two sets of his “ink marks” series. At that time, I was attracted by her vigorous pen and dripping ink, I thought of writing some words to Hong Zhixiong for advice. However, due to my lazy and slack, has been dragged to now no pen. Recently, I saw on the Internet that the opening of the “Calligraphy Masters - Li Hongzhi Calligraphy Exhibition” opened in Beijing gave me another chance to enjoy Hong Zhixiong’s recent works and was deeply inspired by the lessons learned. Hong Zhixiong’s calligraphy, in order to act, worldly, and Kai, Li. Its bold and straightforward pen, as its heart and man. In my understanding of him, he grew up from being a layman to a scholar rather than being a layman by a “scholar,” so his words always flowed with a style of writing, People welcome.