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安尼施·卡普尔是一位有着东西方双重生活背景的艺术家,卡普尔生于印度,上世纪70年代开始,则主要创作活动在伦敦。截然不同的文化背景,使其作品富有独特的气质。这是一种融东方宇宙观和西方极少主义形式为一体的独特创作方式,显示出不同文化背景的冲突与对抗,更容易引发人们对对立统一事物的关注与思考。特别是卡普尔那些标志性的巨大抛光不锈钢作品,打破了人们习惯思维上的视觉经验,提供了一种全新的观看视角,让观看者重新审视自我与自我所处的现实生活和环境。可以说,卡普尔重写了雕塑的美学功能,不仅使其看上去鲜活生动,也与观者在潜意识层面上形成交流与互动。他的艺术创作,提供给我们一个全新的思考,即艺术作品本身,升华成为一种可以与观看者交流的巨大开放式公共空间,是观念与精神上的碰撞。考,即艺术作品本身,升华成为一种可以与观看者交流的巨大开放式公共空间,是观念与精神上的碰撞。
Anish Kapoor is an artist with a dual life background both east and west. Kappl was born in India and started his creative activities in London in the 1970s. Different cultural backgrounds make their works full of unique temperament. This is a unique way of writing that integrates oriental cosmology and minimalism in the West. It shows that conflicts and confrontations between different cultural backgrounds are more likely to lead to concern and reflection on the issue of the unity of opposites. In particular, the iconic giant polished stainless steel works of Kappl broke the visual experience of people’s habitual thinking and provide a completely new viewing perspective, allowing viewers to re-examine the real life and environment in which self and self live. It can be said that Kapoor rewrote the aesthetic function of the sculpture, which not only made it look lively and vivid, but also formed an exchange and interaction with the viewer on the subconscious level. His artistic creation provides us with a brand-new thinking that the work of art itself, sublimated into a vast open public space that can communicate with viewers, is a collision of ideas and spirits. The test, that is, the work of art itself, sublimates into a vast open public space that can communicate with viewers. It is a collision between concept and spirit.