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文学场是一个充满权力斗争的关系场域,它围绕着文学幻想建构起复杂的结构体系,内在地规约着文学的逻辑发展进程。晚清文学场不具备布迪厄“文学场”理论的所有内核,其逻辑生成是以关系为中轴,体现了特定时空领域与文学生态背景下文学艺术家对文化资本、话语等为表征的相关权利与身份(位置)的斗争,并且在独特的价值抉择中彰显了浓厚的“传统”踪迹。晚清文学场对晚清文学“现代性”的“启蒙”宿命具有本质规定性。
Literary field is a field of relations full of power struggles. It builds up a complicated structural system around literary fantasy and inherently deals with the logical development of literature. The late Qing Dynasty literary field does not have all the core of Bourdieu ’s theory of “literary field ”. Its logic generation takes the relation as the axis and embodies the characteristics of literary artists and discourse in the specific space - time field and literary ecology (Position) struggle, and in the unique value choice shows a strong “Tradition ” trail. Literary schools in the late Qing Dynasty had essential stipulations on the “Enlightenment” destiny of late Qing literature “modernity ”.