在近年来蔚为壮观的电视剧创作中,将经典性文学名著改编为电视作品搬上荧幕,的确已成为其中引人注目的一方景致。姑且不论闻名遐迩的古籍精品,单就“五四”以来的现代文学而论,就有《围城》、《家》、《死水微澜》、《南行记》、《迟桂花》、《农村三部曲》等数十部(集)之多。然而,以文学名著为底本并不能保证电视精品的必然问世。在以传播性、 In the spectacular drama creation in recent years, the adaptation of classic literary masterpieces to television shows has indeed become one of the striking aspects of the scene. Regardless of the world famous ancient books, just on the modern literature since the May 4th Movement, there are “Siege,” “House,” “Marilysis”, “South Travels”, “late Osmanthus”, “rural Trilogy ”dozens of (set) as much. However, the literary masterpiece as the basis does not guarantee the inevitable appearance of television quality. In the dissemination,