古今一照——傅山对待“古”之态度随着时间流转,傅山早年学而未得的二王书风,在康熙朝之后重新回归到傅山笔下。[1]虽然兜兜转转又复归起点,可这一次不同于年少无知时的生搬硬套,而是历练过后的理性回归。傅山无疑在王羲之书法中下过苦功,多次临摹《初月帖》《十七帖》等书迹。只不过对于当时之人皆异口同声称赞的定武《兰亭》,傅山却因反感其“一味整齐标致”而予以否定。在平生所见的三种《兰亭》墨迹 According to the ancient and modern photos - Fu Shan treats the attitude of “ancient” with the passage of time, Fu Shan learned early but not the two kings style, in the reign of Emperor Kangxi after the return to Fu Shan. [1] Although turning around and starting again, this time may be different from what happens when young and old are ignorant, but a rational return after a lifetime of experience. Fu Shan undoubtedly worked hard in the calligraphy of Wang Xizhi, many copies of “the first month post” “seventeen posts” and other books. Only for the same time all the people are unanimously praised Dingwu “Lanting”, Fu Shan was disgusted because of its “blindly neat Peugeot” and be denied. The three “Lanting” inking seen in his life