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湖北剧作家沈虹光的战争历史题材话剧创作有得有失,与其表现日常生活的话剧呈现出不同的特点。用日常性的手法建构非日常性的战争历史,势必会在一定程度上消解历史本应有的剧烈冲突。视角的局限阻碍了沈虹光塑造立体感的英雄人物。其剧作在文学性方面效果突出,但平淡内隐的戏剧形态下,缺乏扣人心弦的舞台效果。
Hubei drama writer Shen Hongguang’s war history plays have both advantages and disadvantages, and show different characteristics from the drama that shows daily life. Constructing the non-routine history of the war by daily means will inevitably make up to some extent the intense conflicts that should have been the history. The limitations of perspective hinder Shen Hongguang shaping three-dimensional sense of the hero. Its dramatic work in the literary aspects of the outstanding results, but plain implicit drama, the lack of exciting stage effects.