【为中国读者作的序言】这一篇关于安德烈依·塔尔柯夫斯基的文章,我是在中国旅行期间写完的。在这篇文章里,有一个新的开端,那就是,文章一开始我就谈到为什么在塔尔柯夫斯基的每一部影片里都有马的形象。在本文中,我也写了一个新的结尾,文末,我写了塔尔柯夫斯基在意大利和瑞典拍摄的影片。我的旅伴戴光晰在旅途中已将这篇文章翻译了一些,这样,塔尔柯夫斯基似乎与我们在一起旅行。当我见到导演张艺谋的时候,他的神经敏感的脸 [Preface to Chinese readership] This article about Andrey Tarkovsky was written during my trip to China. In this essay, there is a new beginning, that is, from the outset of the article, I talked about why there is a horse image in every Tarkovski movie. In this article, I also wrote a new conclusion. At the end of the article, I wrote Tarkovsky’s films in Italy and Sweden. My companion, Dai Guangxiu, has translated this article on the road, so Tarkovsky seems to travel with us. When I saw the director Zhang Yimou, his nerve-sensitive face