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仇英的绘画风格,在“明四家”中最为多样化,尤精山水、人物,这与他职业画家的身份和经历不无关系。张丑在《清河书画舫》中对其评价说:“(仇英)山石师王维,林木师李成,人物师吴元瑜,设色师赵伯驹,资诸家之长而浑合之,种种臻妙。”明代董其昌题其《仙弈图》谓:“仇实父是赵伯驹后身,即文、沈亦未尽其法。”仇英的山水画,多学赵伯驹、刘松年,继承了南宋李唐、刘松年、马远、夏圭的“院体画”传统,综合融会前代各家之长。其风格,既保持了工作整精研的古典传统,又融入了文雅清新的文人画趣味,形成了工而不板、艳而不俗的青绿山
Qiu Ying’s painting style is the most diversified in “Ming Si Jia”, especially the landscape and people, which is not unrelated to the identity and experience of his professional painter. Zhang Chou in the “River painting and calligraphy” in the evaluation of its said: “(Qiu Ying) Mountain Division Wang Wei, forest division Li Cheng, figure division Wu Yuan-yu, color instructor Zhao Boju, capital and the length of the muddy together, all Zhen Wonderful. ”Ming Dong Qichang title“ Xian Yi map ”that: “ hatred of the real father is Zhao Boju back body, that is, Shen also did its best. ”Qiuying landscape painting, learn more Zhao Boju, Liu Songnian, inherited the Southern Song Dynasty Li Tang, Liu Songnian, Ma Yuan, Xia Gui “courtyard painting ” tradition, the comprehensive integration of the predecessors of each length. Its style not only maintains the classical tradition of work intensive research, but also incorporates elegant and elegant literati painting fun, forming a work instead of board, Yan and impressive Green Mountain