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一、风俗与自然特里林曾经强调说,在小说中,风俗造就人是绝对正确的。而且他认为这“风俗”可以从任何角度去理解。1其实,不管风俗可以解释成什么,我们只按最平常的风俗概念去判断,也会相信这一说法的准确性。作家塑造人物,必然要从人物生活的地域风俗着手,进入人物周身世界的自然和人文环境,在各种关系中呈现特定人物的言语面貌和行为特征。只有把文学人物的生活环境和关系世界描绘出来了,作家笔下的人物才有可能实现栩栩如生的效果。
First, the customs and nature Trillin once stressed that in the novel, custom is absolutely right. And he thinks this “custom” can be understood from any angle. Actually, whatever the custom can be interpreted as, we only judge by the most ordinary customs and we also believe the accuracy of this statement. When the writer shapes the characters, he must start from the regional customs of the character’s life and enter the natural and human environment of the whole world of the characters, presenting the verbal appearance and the behavior characteristics of the specific characters in various relations. Only by depicting the living environment of the literary figures and the world of relations, the characters written by the writers are likely to achieve lifelike results.