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80年代后期的中国现代都市电影,不仅在内容上有着鲜明的世俗性,而且在表达方式上也体现出显著的平民特色。这主要体现在三个方面:人物的平民形象、导演的平民意识、叙事的平民风格。一、人物:突兀的平民形象在中国现代都市电影的镜城中,居住的多是普普通通的市民,尤其是都市边缘人,如个
In the late 1980s, Chinese modern metropolitan cinema not only has a distinctly secular content, but also shows distinctive features of civilians in terms of expression. This is mainly reflected in three aspects: the civilian image of the characters, the civilian consciousness of the director and the civilian style of narration. First, the figures: the image of unexpected civilians In the mirror city of modern Chinese city movie, living mostly ordinary citizens, especially urban marginalized people, such as a