“十七年”电影中的女性形象是伴随着构建新中国主流意识形态这一宏大主题进行的,主流叙事一直试图将党的路线方针政策溶入感性的、个人化的历史无意识中,于是女性形象的出现无疑也是政治化的、群体化的象征,用以表明没有共产党就没有新中国这一叙事动机。女性形象多以被共产党拯救的灰姑娘、走向战场像男人那样战斗的花木兰、传统、温良、博爱的地母和妖精似的潘多拉的模式出现。她们的形象既是觉醒的、被解放的妇女的代表,也是迷失在男权社会的阴影里没有自我表达权的证明。 The female image in “Seventeen Years” movie is accompanied by the grand theme of constructing the new mainstream Chinese ideology. The mainstream narrative has always tried to dissolve the party’s line, principles, and policies in the emotional and personal historical unconsciousness. Thus the emergence of a female figure is undoubtedly also a politicized symbol of collectivization in order to show that there is no motivation for the new China in the absence of the Communist Party. The images of women are mostly Cinderella salvaged by Communist Party, Mulan marching toward the battlefield like man, tradition, tenderness, fraternity and goblin like Pandora. Their images are both awakening, the representatives of liberated women, and a proof that they have lost their right of self expression in the shadow of a patriarchal society.