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一2014年12月7日晚,国家大剧院音乐厅舞台边门缓缓打开,在众人期待下一位高大魁梧的男子迈着缓慢的步伐走向舞台中心,看似横跨键盘十二度的手捏着乐谱,随后绅士般地向不同方位听众缓慢地深鞠躬。这样沉缓的生理节奏已经预示当晚演奏状态的某种走向。他当晚的演奏再次挑战和突破着人们对作品风格的理解范围,有人欢呼过瘾,有人抱怨离场。他近乎自恋般夸张的慢速和间歇性爆发的剧烈音响,让人不禁追问个性和任性的界限在哪里。无论怎样,他执
On the evening of December 7, 2014, the stage door of the National Center for the Performing Arts concert hall slowly opened. As the crowd looked forward to the next tall and burly man walking towards the center of the stage with a slow pace of twelve degrees The score, then gentle gentle bow slowly to different audiences. Such a slow physiological rhythm has foreshadowed the trend of the night playing somehow. His night playing once again challenge and break through the range of people’s understanding of the style of the work, some cheer, someone complained about leaving. He almost narcissistic exaggerated the slow and intermittent burst of violent sound, people can not help but ask where the boundaries of personality and waywardness. No matter what, he enforced