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好莱坞电影与国产片的影院空间争夺战愈演愈烈,如何从创作上寻求突破,是中国电影从业者共同面临的课题。本文试图从四个方面对当下的电影创作做出理解:首先,从最基本的电影观念入手,解决“电影是什么”的常规疑问,建立“电影本体”的思维模式;然后坚定“电影是大银幕的艺术”的影像信念,提出技术品质是电影的根本这一并不被全面接受的理念;同时,借鉴成功的创作经验,认真研究技术表达和影像规律;最后,顺应技术发展的潮流,跟进电影全面数字化的变革,缩短国产电影在影像技术上与好莱坞的差距。
The cinema space battle between Hollywood movies and domestically produced films is intensifying. How to seek a breakthrough from the creative perspective is a common issue faced by Chinese film practitioners. This article tries to understand the current movie creation from four aspects: First, starting from the most basic movie idea, solving the conventional question of “What is film” and establishing the thinking mode of “movie ontology”; “The movie is the art of the big screen ” image belief, put forward the technical quality is the fundamental idea of the movie is not fully accepted; the same time, drawing on successful creative experience, careful study of technical expression and image law; Finally, The trend of technological development, follow the film full of digital changes, shorten the domestically produced film in the gap between the imaging technology and Hollywood.