提起作曲家郭文景,知道他的人首先会想到歌剧《狂人日记》。这部作品与鲁迅的原著有密切关系。作为一部惊世骇俗的魔幻小说,《狂人日记》手术刀般地挖掘了人性黑暗,常常使读者不寒而栗。郭文景的同名歌剧亦对比强烈,多处运用了打击乐、弹拨乐、埙和鬼魅一般的人声,以渲染阴森的气氛,听过的人无不印象深刻。 Mention of the composer Guo Wenjing, who knows him will first think of the opera “mad diary.” This work is closely related to the original works of Lu Xun. As a horror magical novel, “Mad Diary” scoop-like mining human darkness, often shudders readers. Guo Wenjing’s opera of the same name has strong contrasts. His use of percussion, plucked music, 埙 and ghost-like vocals in various places has created a ghastly atmosphere in which the people he hears are all impressed.