著名画家傅抱石同时也是一位成就卓著的美术史家,一生治史,乐此不疲,努力著述,撰写美术论著一百五十余篇(本),二百余万字,洋洋洒洒,蔚为大观。凡绘画史、篆刻史、工艺史等,或钩沉于古籍,或考证于文物,其研究之范围涉及美术各个方面,非常宽广而又深入,深刻阐述了中国美术的伟大精神。这些著述从美术理论研究的广度、深度和力度上衡量,在中国现代美术学史上也是不多见的。现代中国美术史学肇始于20世纪初期,是一门新兴的学科,渊源于日本近代美术史学。伴随着美术教育的兴起,美术史教材的编写成了当务之急。出 The famous painter Fu Baoshi is also an accomplished art historian who has spent his entire life managing history and writing his works. He wrote more than 150 art works (more than 2 million works of art) and eloquently addressed him. Whereas the history of painting, the history of carving, the history of craftsmanship, etc., or the sinking into ancient books or textual research into cultural relics, the scope of his research involves all aspects of art, which is very broad and profound and expounds profoundly the great spirit of Chinese fine arts. These works, measured in the breadth, depth and intensity of art theory research, are rare in the history of Chinese modern art. Modern Chinese art history started in the early 20th century, is a new discipline, originated in Japanese modern art history. With the rise of art education, compilation of art history textbooks has become a top priority. Out