中国绘画从古至今,虽经历历史进程的推移、社会形态的变更、审美观念的发展和媒介方式的演化,而线的形态却贯穿始终,形成了不同审美倾向的形态关联及不同媒介方式之间的通约。 所谓线,只是人们习惯性的直观称谓,从概念上界定,中国画的线应被称为符象(其中包括点线面三种形态,更重要的是线在中国画中同时是观念的派生物)。线是符象的表象之一,符象是线的形态内涵。从这一层面意义讲,笔墨与符象亦有着线与符象的同样关系,即符象是笔墨的内涵,笔墨是其物化形态,笔墨藉符象而表现,符象藉笔墨而显现,彼此互为依存。线与笔墨虽概念不同,但就其与符象的关系而言, Although Chinese painting has undergone historical changes, changes in social forms, development of aesthetic conceptions, and evolution of media styles from the ancient times to the present, the formation of lines has always been shaped by the morphological connection of different aesthetic tendencies and between different modes of media The pass about. The so-called lines, but people habitual visual appellation, defined conceptually, the line of Chinese painting should be known as the symbol (including the point and surface three forms, more importantly, the line in the Chinese painting is also a concept of derivatives) . Line is one of the appearances of symbols, symbolic is the line shape connotation. In this sense, there is also the same relationship between lines and symbols, that is, the symbol is the connotation of the pen and ink. The pen and ink are their physical and chemical forms. The pen and ink are represented by the symbol and the symbol appears by the pen and ink. Interdependent. Although the concept of line and pen and ink are different, but in terms of its relationship with the symbol,