鉴于我们的时代需要,我们将讨论的范畴设置在今天的中国现代山水,之所以强调现代山水,是因为我们面临着一个不可否认的文化窘境:当我们试图抛弃传统山水空间概念,希望借助于西方绘画的空间理论来构筑中国现代山水画空间的时候,社会环境、人文认识、材料和技法等诸多方面的不同造成了我们的理论和实践难以达到完美的统一,以至于山水画空间的营造实践显得过于生硬或者怪异,从而令中国观众不能接受,甚至产生抵触,更别说要做到古人说的“可以观、可以游、可以居”的境界 In view of the needs of our times, we will discuss the scope of today’s modern landscapes in China, the reason why the emphasis on modern landscapes, because we face an undeniable cultural dilemma: when we try to abandon the concept of traditional landscape space, hoping to help the West Painting space theory to build China’s modern landscape painting space, the social environment, human knowledge, materials and techniques and many other aspects of the difference between our theory and practice is difficult to achieve the perfect unity, that landscape painting space to create practice seems too blunt Or weird, so that the Chinese audience can not accept, or even conflict, let alone to do what the ancients said “can see, you can swim, you can live in” realm