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传统中国画的原来形态和发展到今天的形态,大致可以归入两类:实写的一类和自由书写的一类。所谓实写,就是画得比较严密,画风严谨,构图饱满,尺幅较大;所谓自由书写,就是画得逸笔草草,用较多的虚拟手法表达意思,抒发感情。元以前的中国画,实写的画风占有很大的比重,元之后的文人画,自由书写之风盛行。实写与自由书写两种风格,孰优孰劣,很难说得清楚。我们面对宋代许多大师创造的属于写实类型的中国画,常常对他们严肃认真的创作态度和缜密求实的精神,表示无限敬佩:同样,我们欣赏明清许多文人画家的精品,也为他们的自由想象力和活泼的创造精神感叹不已。只要作品真正有精神内涵,表达了时代的情感,实写也好,自由书写也罢,都是
The original form and development of traditional Chinese painting can be classified into two categories: real writing and free writing. The so-called real writing, that is, more rigorous painting, style rigorous, composition full, large scale; the so-called free writing, is painting too Yat Penhua, with more virtual means to express their feelings, express feelings. Before the yuan of Chinese painting, the real style of painting occupies a large proportion, after the literati painting, writing style prevails. Real writing and free writing two styles, which one is better, it is difficult to say clearly. In the face of the realistic type Chinese paintings created by many masters in the Song Dynasty, we often express our utmost admiration for their serious and creative attitude and meticulous truth-seeking spirit. Likewise, we admire the fine works of many scholars and artists in the Ming and Qing dynasties and also imagined their freedom Sigh and lively creative spirit sigh. As long as the work has a true spiritual connotation, expressing the feelings of the times, the actual writing or free writing is worth mentioning