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《朗读者》突破了流俗的电视综艺类节目的娱乐性,而侧重于寻求情感与人文的结合,值得肯定。但是,在节目的安排上,平等交流的环节未能凸显;从文学的角度看,由于电视文学阅读能够达到感情的直接实现,摧毁了文字阅读所带来的距离,从而使得反思与想象难以成为可能。以感情与人文的结合为标准,会系统性排斥那些疏离感情的文学经典,但是20世纪以来,拒斥感性愉悦、旨在导向追求真理的文学,构成了精英文学的主要方面。如何引导20世纪以来的文学经典获得大众理解,还需要电视台发挥媒体想象力。
The Reader alludes to the entertaining nature of popular television variety shows, and the emphasis on seeking a combination of emotion and humanity deserves recognition. However, in the aspect of program arrangement, the link of equal exchange can not be highlighted. From the point of view of literature, since the reading of TV literature can achieve the direct realization of the feelings and destroy the distance brought by the text reading, it makes it difficult for reflection and imagination to become may. Taking the combination of emotion and humanity as the standard, it systematically excludes literary classics that are alienated from feeling. However, since the 20th century, the literature that rejects sensual pleasures and aims to lead the pursuit of truth has constituted the main aspects of elite literature. How to guide the literary classics since the 20th century to gain the public’s understanding, but also the need for television to play the media imagination.