泛黄的背景色总会让人有一丝惆怅。斑驳的漆皮,耷拉的布帘,还有缺了角的黑板,从细节刻画上分明告诉读者,摄影师没有淡化甚或回避这种困顿的环境。假如视觉中心没有那些孩子,这将是幅常见于19世纪的、让人沮丧的贫民生活写真,缝缝补补、勉力而为,为生活能够继续而熬干最后一滴汗。果真如此,那就是民生新闻的惯常景像,摄影师显然不打算这么干。事实上,他已经被某种东西感染,他在努力捕捉一种情绪,一种简单的欢快情绪。这是只有孩子才拥有的情绪,他们把无论奢华还是简陋的地盘,都变成嬉戏的天堂。慢门将 Yellowish background color will always give people a trace of melancholy. Mottled patent leather, 耷 pull the curtains, as well as the corner of the blackboard, portrayed from the details clearly tell the reader, the photographer did not dilute or even avoid this sleepy environment. If there were no children in the visual center, it would be a depressing picture of the poor people living in the nineteenth century. They would make concerted efforts to keep the last bit of sweat alive. If so, that is the habitual scene of the livelihood news, and the photographer is obviously not going to do that. In fact, he has been infected with something, trying to catch one emotion, one simple joy. This is the only emotions that children have, and they make playful haven, be it in luxury or simplicity. Slow goalkeeper