长期以来,研究书法史的人一讲到魏晋书法,就会说“晋人尚韵”。然而,韵的概念比较抽象,用在书法艺术的表现上很模糊,不知道究竟是什么意思,因此这种说法在理论和实践上意义不大。最近几年,有感于“要从中国传统文化中找到自己的根源,进一步与其他文化相融合,取长补短,取菁去芜”(余英时语),我的创作强调碑学和民间书法,理 For a long time, people who study the history of calligraphy talked about calligraphy in the Wei and Jin Dynasties. However, the concept of rhyme is rather abstract and is used in the performance of calligraphy art is very vague, do not know exactly what it means, so this theory is of little significance in theory and practice. In recent years, I have felt that “we should find our roots in traditional Chinese culture and further integrate with other cultures to learn from each other.” (Yu Yingshi) Reason