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奇幻电影是彼得·杰克逊的长项,也是反映其艺术精神最重要的电影类型。审美空间理论是梳理杰克逊奇幻电影不可忽视的角度,就电影给人的视觉感受而言,奇幻电影最大的特色和魅力首先就在于场面的视觉冲击力,其次才是情节的戏剧性。而这样的或神奇优美,或宏大壮阔的场面正是导演从文本的信息之中构建并具象化的。本文从叙事情节中的审美空间、叙事结构中的审美空间以及人物塑造中的审美空间三方面,分析了彼得·杰克逊奇幻电影的多重审美空间。
Fantasy movie is Peter Jackson’s long term, but also reflects the most important genre of film art. Aesthetic space theory is to sort out Jackson’s fantasy movies can not be ignored point of view, the movie gives the human visual experience, the fantasy movie’s biggest feature and charm lies in the visual impact of the scene, followed by dramatic plot. And this or the magical beauty, or magnificent scene is the director from the text of information to build and visualize. This article analyzes the multi-aesthetic space of Peter Jackson’s fantasy movies from three aspects: the aesthetic space in narrative plot, the aesthetic space in narrative structure and the aesthetic space in character shaping.