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中国传统文化观中的母性形象,没有逃离出男权中心的二元对立模式.母性形象作为女性形象的一个重要文本注解,仍然是男性按照自己的立场、要求和想象,建构出来的一种文化身份定位。汶川地震周年祭报道中的母性形象,彰显作为个体的主体性,展现作为女性的社会性,凸显作为母亲的自觉性。通过重塑母性形象来颠覆女性“媒介刻板印象”、建构现代女性典范、张扬女性身份的文化意义。
The image of motherhood in Chinese traditional culture has not escaped from the dualistic mode of patriarchal center.Metal image, as an important textual annotation of the female image, is still a kind of culture constructed by men according to their position, demand and imagination Identity Positioning. The maternal image reported in the anniversary of the Wenchuan earthquake highlights the subjectivity as an individual, shows the sociality as a woman and highlights the self-consciousness as a mother. By subversion of female image to subvert female “media stereotype ”, to build a modern model of women, to promote the cultural significance of women’s identity.