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作为近世文学萌发期的代表性文学样式,元杂剧作品中当然不乏对个人权利和要求的渲染,女性形象对爱情和婚姻的追求是其中的一个重要侧面。但元杂剧中女性形象强烈的依附性人格无法使其承担太多重负,元杂剧作家们在她们身上和相关作品中努力试图的,只是在正统儒学式微的背景下,另辟蹊径,以达到教化的目的。元代婚恋杂剧中的女性形象是中国文学近世性复杂特征的充分体现。
As a representative literary style in the germination period of modern literature, there are of course no shortage of renderings of individual rights and requirements in the works of Yuan Zaju. The pursuit of love and marriage by female images is one of the important aspects. However, the strong dependency personality of female characters in Yuan Zaju can not make it bear too much weight. Yuan Zaoxi writers try hard on them and related works only in the background of orthodox Confucianism, in order to achieve the goal of enlightenment . The female images in Yuan Dynasty love and marriage drama are the full manifestation of the complex features of the near future in Chinese literature.