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机器大工业生产,科技飞速发展,外部物质世界的惊人运转,信息的泛滥,数字化蔚然成风,世界到处充斥着过剩的影像、图片。这样的环境下,形象被无限复制,报纸、杂志、包装纸、广告画已成为现代社会的肌肤。当我们享受着物质文明的同时,高清晰度的影像设备也在弱化着当代艺术家对自然的感受。但影像近乎完美的再现能力,似乎预示着绘画要面临一场灭顶之灾。从塞尚——毕加索——蒙德里安理性抽象的发展脉络,到凡·高——马蒂斯——康定斯基感性表现的传承轨迹,
Machine large industrial production, rapid development of science and technology, the amazing operation of the external material world, the proliferation of information, digital become common practice, the world is full of excess images, pictures. Under such circumstances, the image is copied endlessly. Newspapers, magazines, wrapping paper and advertisement paintings have become the skin of modern society. While we enjoy material civilization, high-resolution imaging equipment is also weakening the contemporary artist's feelings about nature. However, the almost perfect reproduction of the image seems to indicate that painting has to face an extinction. From the development of rational abstract of Cezanne-Picasso-Mondrian to the inheritance of Van Gogh-Matisse-Kandinsky's perceptual performance,