杭州盆景在制作中除推敲通常的虚实、疏密、轻重、藏露这些矛盾的对立统一外,还特别注重把刚柔、荣枯、动静这三对矛盾作为重中之重来加以协调中和。杭州的盆景艺人在主观上希望能够避免极端,因为过犹不及,当时觉得是“时髦”的,回过头去看,也可能是一种弊端。杭州树木盆景从主干定势、到分枝布局、到结顶处理,都比较注重 Hangzhou Bonsai in addition to the production of the actual situation, density, density, possession of these contradictions contradictory unity, but also pay special attention to the rigid, the glory, movement of these three pairs of contradictions as a priority to be coordinated and . Hangzhou bonsai artists in the subjective hope of avoiding the extreme, because too far, was considered “fashionable”, looking back, may also be a drawback. Hangzhou bonsai from the trunk set the trend, to the distribution of branches, to the top knot treatment, are more focused