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康有为的执笔理论与实际的操作存有不相符的地方,这一现象在清代的碑派书家中具有普遍性。在具体的实践中,在不同的社会场合中,书家们亦会采取不同的操作方式和衍说策略,体现出在社会生活中的自觉行为与艺术世界里的自我呈现的矛盾性。同时,通过对这一现象的挖掘,有助于我们反思历代艺术家的衍说标准与方式,并从侧面管窥艺术家理想形象的建构与接受规律。
There is a discrepancy between Kang Youwei’s writing theory and the actual operation. This phenomenon is universal in the inscription writers in the Qing Dynasty. In concrete practice, in different social occasions, the bookmasters will adopt different modes of operation and derivative strategies, reflecting the contradictions between the self-conscious behavior in the social life and the self-presentation in the art world. At the same time, through the excavation of this phenomenon, it helps us to reflect on the standards and methods of the artists ’dynasties’ rhetoric. On the other hand, we can see how to construct and accept the artist’s ideal image from the side.