论文部分内容阅读
时间:2017年1月5日地点:中国电影资料馆会议室重点段落的创作思路朱:您是在影片上映之前的一个月才介入到《罗曼蒂克消亡史》(以下简称《罗曼蒂克》)的配乐工作中的。能简单地介绍一下当时的情况吗?郭:刚介入的时候,我了解到,之前的作曲工作是梅林茂先生在做,他是影视界的作曲大师。导演先约我看了一遍影片,我很喜欢它的那种质感,这种质感在当下的中国电影中是很少见的。我看过的那个版本,很多梅林茂创作的音乐片段已经被导演替换成他比较喜欢的参考音乐。
Time: January 5, 2017 Venue: Creative Thinking of Key Passages in the Meeting Room of Chinese Film Archive Zhu: You did not intervene in the soundtrack work of “The Destruction of the Romance of Romances” (the “Romance”) one month before the release of the film middle. Can I simply introduce the situation at the time? Guo: When I first got involved, I learned that before the composition work was done by Mr. Mei Linmao, he was a composer in film and television industry. The first time I read the director film, I really like the kind of texture, this texture in the current Chinese film is rare. The version I’ve seen, many of Meryl’s music pieces have been replaced by the director into his favorite reference music.