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1973年秋,青海省大通县上孙家寨出土的一批新石器时代晚期的陶器中,有一件内壁绘有舞蹈花纹的彩陶盆引起人们的极大兴趣和重视。这件陶器属马家窑文物的遗物,高14厘米,口径29厘米,泥质红陶,口径及内外壁绘有叶纹、圆点纹、线纹、圈带纹。在内壁最大处绘有四道平行带纹,带纹的上面绘有舞蹈画面三组,每组五人,手拉着手,每人头侧各有一斜道,似为发辫,向同一方向摆动。每组外侧两人的一条手臂画为两道,似为两臂上下舞动之意。人体下部画有三道,接地的两竖道为两腿,而下腹体侧的一道
In the autumn of 1973, among the late Neolithic pottery unearthed from Shangjiazhai, Datong County, Qinghai Province, there was a pottery pot painted on the inner wall with dance patterns that aroused great interest and attention. This pottery is a relic of the Majiayao relics, 14 cm high, 29 cm in diameter, muddy terracotta, caliber and inner and outer walls painted with leaf pattern, dot pattern, line pattern, circle pattern. Painted in the inner wall of the largest of four parallel stripes, painted with dance above the top three groups, each group of five, hand in hand, each head side of a chute, like a tress, to swing in the same direction. Two arms outside each of two arms painted as two, seems to be the meaning of his arms up and down dancing. The bottom of the human body draws three, two vertical ground for two legs, and one side of the lower ventral body