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人物性格分析与政治历史观的传统批评视角遮蔽了莎士比亚历史剧《裘力斯·凯撒》的戏剧性本质,忽视了情节背后的戏剧动作。马克斯·勃鲁托斯的“刺杀”与“自杀”才是核心戏剧动作,基于这一认识,从戏剧动作入手,采用精神分析与伦理创伤的批评视角,重新阐释勃鲁托斯的行为动机将有助于理解该文本的戏剧性。通过解构“爱凯撒更爱罗马”的符号逻辑,揭示“刺杀”与“自杀”这两个戏剧动作背后的心理因素,即宏大政治话语中的英雄情结和破坏伦理关系导致的精神创伤,从而将勃鲁托斯的悲剧重新定义为伦理话语与政治话语之间角力的必然结果。
The traditional criticism of the character analysis and the political history view obscures the dramatic nature of Shakespeare’s historical play Julius Caesar and ignores the drama behind the plot. Based on this understanding, Marx Brutus’s “Assassination” and “Assassination” are the core drama movements. Starting from the dramatic action, using the critical perspective of psychoanalysis and ethical trauma, Max Brutus reinterprets Brutus The behavioral motivation will help to understand the dramatic nature of the text. By deconstructing the symbolic logic of “Caesar ’s love of Rome,” we can find out the psychological factors behind the two dramatic actions of “Assassination” and “Suicide”, namely, the heroic sentiment and destructive ethical relationship in the grand political discourse So as to redefine Brutus’s tragedy as the inevitable result of the conflict between ethical discourse and political discourse.