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从老、庄到刘克庄,中国自然美学观走完了“正—反与和—合”的发展历程。在“正”的层面上,刘克庄继承老庄对自然境界的追求;在“反与和”的层面上,刘克庄用“人工”反拨老庄的极端自然观,并使自然与人工高度融合;在“合”的层面上,刘克庄通过人工对自然的反拨与中和达到更高层次的自然。刘克庄对老庄自然观的继承与改造,既暗合西方“否定之否定”的哲学思想,也符合中国“中和”的哲学精髓,且克服了中和哲学的庸俗调和观。
From Lao Zhuang to Liu Kezhuang, the development of China’s natural aesthetics has completed the development of “positive-negative and-combined”. At the “positive” level, Liu Kezhuang inherited Lao Zhuang’s pursuit of the natural realm. On the aspect of “anti-reconciliation”, Liu Kezhuang used “artificial” to reverse the extreme nature of Lao-Zhuang and to integrate nature with human beings. At the level of “integration”, Liu Kezhuang achieves a higher level of nature through artificially reversing and neutralizing nature. Liu Kezhuang’s inheritance and transformation of Lao-Zhuang’s view of nature inherits both the philosophical thinking of “Negative Negation” in the West and the philosophical essence of “neutralization” in China and overcomes the vulgar and harmonious conception of Neutralization Philosophy.