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3D技术与疯狂的年代错位感,并没有违背巴兹·鲁赫曼在改编原著小说时的诚挚初衷。虽然巴兹·鲁赫曼的新作富丽皇堂得让人眼花缭乱,但它的情感内核仍然与菲茨杰拉德不朽的名作一脉相承。鲁赫曼的电影哲学可以用多多益善四个字来形容,他认为一场戏的水准高低,取决于自己有没有在其中塞入足够的音乐、服装、群众演员和花哨的摄影技巧。这样的观点让《了不起的盖茨比》从第一个镜头开始就有着夸大其词的风格,但这种风格在故事主人公奢华高调的生活方式面前,显得就并没有特别不合时宜,虽然它与菲茨杰拉德隐忍克制的行文风格相去甚远。尽管影片
The dislocation between the 3D technology and the crazy era has not contravened the sincere original intention of Baz Luhrmann in his adaptation of the original novel. Although Baz Luhmann’s new work of the magnificent royal palace was dazzling, but its emotional core is still consistent with Fitzgerald’s immortal masterpiece. Lhurman’s philosophy of film can be described in terms of a more or less good character. He thinks the level of a play depends on whether or not he has enough music, clothes, extras and fancy photography skills in it. Such a view of “The Great Gatsby” is exaggerated from the very first shot, but it is not particularly outdated in the luxury and style of life of the protagonist, though it does not seem out of place with Fitzgerald, Radha incompetent restraint style of writing a far cry. Despite the movie