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本刊上期“理论与研究”栏目上刊发了红线女、黎子流、曾石龙分别在第三届羊城国际粤剧节理论研讨会的讲话或总结发言,同时也选发了罗铭恩和易红霞在该次理论研讨会上宣讲的两篇论文。上述几篇讲话和论文均在研讨会上引起了与会的专家、学者的极大反响,认为他们的观点都从不同的角度反映了当今粤剧发展的现实和今后的走向。为了进一步反映第三届羊城国际粤剧节理论研讨会上提出的问题,今期我们继续从不同角度选登陈超平、吴世枫和姚柱林撰写的三篇论文.以期引起有关领导部门和广大读者对粤剧前途的关注及对论文提出的问题的兴趣。
This issue of “theory and research” column published a red line female, Li Zili, Zeng Shilong respectively in the Third Yangcheng International Cantonese Opera Symposium speech or concluding speech, but also selected Luo Ming-en and Yi Hongxia in the Two papers preached at the Symposium on Theory. Both of these speeches and essays aroused great repercussions from experts and scholars attending the symposium, holding that their views all reflect the reality and future direction of the current development of Cantonese opera from different perspectives. In order to further reflect the issues raised at the Third Yangcheng International Cantonese Opera Festival Symposium, we continue to select three articles by Chen Chaoping, Wu Shifeng and Yao Zhulin from different perspectives in this issue, with a view to arousing the concern of leaders and readers on the future of Cantonese Opera And interest in the issues raised in the essay.