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不久前,中央电视台11频道播出了京剧余派新秀王珮瑜的“余叔岩十八张半唱片”演喝会。王珮瑜的脱俗自然、清雅激越的艺术风格,很是令人折服。多年来,她在上海负有“小孟小冬”之誉。这也使我想到上世纪20年代至40年代,孟小冬在天津菊坛的辉煌岁月。
Not long ago, China Central Television Channel 11 aired Peking Opera remix Wang Yoo Yu’s “Yu Shanyan eighteen half-album” drink meeting. Wang Yoo-yu’s refined nature, elegant and agile artistic style, it is convincing. Over the years, she has in Shanghai, “Xiao Meng Xiaodong,” the reputation. This also reminds me of the glorious years of Meng Xiaodong in Tianjin Ju Tan in the 1920s and 1940s.