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现代的工笔人物画画坛,在市场经济及高科技信息图像的影响下,呈现出多元发展的面貌。这一类“新面貌”作品的构成多采用拼凑嫁接的形式,将来源不同的图像组合成画面,注重画面的形式感,视觉冲击力,表现手法多样。在内容与题材方面,中国传统工笔人物画在“成教化,助人伦”的功用性理论指导之下,多承载着“教化”的目的,而“新面貌”的作品多以追求时尚为目标,以表述自我为中心。
The modern portrait painting scene of mimeographers presents a multi-faceted development under the influence of the market economy and high-tech information images. This type of “new look ” the composition of the use of patchwork graft more form, the source of different images combined into a picture, pay attention to the form of visual sense, visual impact, diverse performance techniques. In terms of content and subject matter, the traditional Chinese meticulous figure carries the goal of “enlightenment” under the guidance of the utilitarian theory of “becoming educated and helpful” and more works of “new look” To pursue fashion as the goal, to express themselves as the center.